Monthly Archives: August 2009

The Road Avenger (Associated Press Bulletin)

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At 11:00pm – Tuesday – August 25th, 2009 – MMP Publishing released an official news update for “The Road Avenger” novel, spanning details about the novel’s first public demo debut and related bonuses for fans of “Road Blaster” (upon which the novel is based on) and VG-OST (videogame-music) enthusiasts alike.

Also outlined in the memo were a set of introductory details regarding the art-design and illustration accompanying the releases – A secondary memo is currently being scheduled for follow-up with persons and organizations who’ve expressed interests in wanting to supply reviews and commentaries for readers of these ‘first glimpse’ materials.

More updates and related news listings will be combined in the announcements to follow. To learn more, please follow the articles linked below:

Reuters – “The Road Avenger”, first public demo debut

Also see the Kuneo Koei production detail page

“The Road Avenger” – Official Website

Update: All about Road Avenger and Road Blaster

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Mary Margaret Park (MMP Publishing) and Sekrett Scilensce (Ss, Assoc.) have released their collaborative debuts of “The Road Avenger” (Novel, public demo 1) and the “Road Blaster Singles Collection”.

“The Road Avenger” is a psychological action-drama, based upon the 1985 Data East laserdisc classic “Road Blaster”.

(The) “Road Blaster Singles Collection” is a remake of the 1992 “Road Blaster FX” theme-song, originally by the Japanese rock-band J-Walk.

To learn more, visit Kuneo Koei’s coverage of these releases and follow the links provided. More information as well as on the minute updates regarding reviews, related-releases, and newsbreaks will be available as these developing stories unfold.

Take me to the details…

New Licenses and Upcoming News

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We’ve acquired some new licenses which will be debuted on our artists websites and outgoing news-releases soon. We believe that these new developments will be exciting for both the fans and industry followers of our titles, especially as some of these materials are harkening from the golden-age of film, TV, and videogames (and related music-entertainment).

Keep your eyes, ears, (and if you’re from another planet), your gills, open over the next few weeks as we introduce many of these upcoming projects via our wire-syndications and network associations. As well, be on the lookout at sites that carry reviews or interviews related to our materials (i.e. SEGA-16).

We’ll update you again shortly and you’ll also be able to see updates at our artists, partners, and associates respective websites and news portals.

To the guy that wrote in, wondering if a news portal could take him back to 1985 – We don’t actually know, so try it and then report back to us.

Just remember that the cell-phones were a little larger.

Digital Disaster

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One of our primary digital-distribution partner’s current ‘state’ of existence, is bordering on the brink of harm; more in the branding sense than anything that would destroy our properties values but still; a person sits back, well away from their business sensibilities and clearly says, “What the duck-soup?” – And in a thick Italian accent for emphasis.

Anytime a co-branded partnership starts to fail in its implementation (a.k.a. brand integrity), your operation runs the risk of attaining mild debris from the dilution and customer-base fluxes that ensue, mostly because of the redirecting campaigns that you have to instate for the specific purpose of damage-control (which you didn’t create) and of course, to protect your properties (across the board).

We’re not worried since our base is with our direct-method ‘core’ (and not socially ubiquitous to the extent that we can be affected) however, if things don’t change, we’ll then have to exercise the option known as ‘call someone better and more together’, and that would be kind of sad, because it really doesn’t have to be this way. We don’t know if they’d rollback the system either (which would be easier).

Many say time will tell, so as the Zen master would say, “We’ll see”.

In the end, we’re fine either way.